The shape of an archive is a collection of photos and video for the conference…
With the installation/sculpture How to archive a performance which is not mine, by Giovanni Ambrosio….
Médée Visions/Medea’s Visions
Mise en scène/Director Alessia Siniscalchi Art work/painting Valerio Berruti
Live and original music Phil St. George Live photography and scene photography Giovanni Ambrosio (some photos by Luca Florino) Original text/écriture Paulina Mikol SpiechowiczWith a free adaptation by/adaptation libre de Alessia Siniscalchi inspired by George Bernand Shaw, Dario Fo,Franca Rame, Euripide, GrillpartzerWith/avec/con: Félicie Baille, Alessandra Guazzini, Fanny Guidecoq, Francesco Calabrese, Alessia Siniscalchi,Zelia Pélicani Catalano, Chiara Gistri Voice Vincent Callot Siniscalchi,Katarina Lanier Live projections/light design Benjamin SillonVideos Piero Vivenzio,Lorenzo TaidelliMouveme nts/movements/movimenti:Ivana Messina, Korper dancers in Naples
Supported by/Soutiens de La Ménagerie de Verre StudioLab, Snaporaz Verein/Federica Maria Bianchi, Kulturscio’ k Italia/Francia, Kulturfactory International Residencies, Körper
Stage Photography, Madame Pink directed by Alfredo Arias, Rond Point Paris until march 31th 2019…
Fondo Gioia, the shape of an archive on Venerdì di Repubblica. There’s a special beauty…
Medea’s Visions, Kulturscio’k live art collective, stage photography during creation residency.
Medea’s Visions is a performative work in which I’m involved as stage photographer and, at the same time, I’m on the stage shooting portraits of performers during the work on stage. A portrait studio is set on stage and I shoot portraits whenever there’s a deep mutation in perfomers’ appearance. A complete book of this work soon to be published.
From the stage director’s notes, Alessia Siniscalchi :
What role can we play in a revolution?
I imagined a few years ago a contemporary interpretation of the myth of Medea based on four different female personalities: primitive, magic, rebel, passionate. I didn’t have a child at the time. I let this idea grow, and I made pieces around romantic relationships. Today I have a seven year old child, it’s time to come back to Medea.
This is where the plural title emerges from: Medea’s visions. Several independent interpretations coexist around a common theme. It is imperative for me to have male perspectives on this feminine duality.
Thanks to magic artistic encounters and thanks to actors and producers helping us, this project became reality
It is a question of putting on stage (and even off stage because the place is always an adaptable factor ) the following themes: identity, gender, family, Bible and more generally religion and law. Oppositions and opposites. Theater and peformance
We are in plural universe in collaboration with:
Artwork Valerio Berruti
Stage director Alessia Siniscalchi
Original writing by Paulina Mikol Spiechowicz
Scenography by Anja Martchenko
Kulturscio’k live art collective
Videos by Piero Viven and photography by Luca Florino and Giovanni Ambrosio/Black Spring Graphics Studio
Music of Cristina Barzi and Phil St George.
A photographic performance is linked to the project
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