Visual Direction for an Exhibition on Cultural Entanglements
The exhibition Diplomacy explores presence, absence, and representation within diplomatic and artistic spaces. My visual strategy for the project aimed to translate these abstract themes into a clear, minimalist graphic language—where typography becomes both a stage and a player in the performance of international relations.
Typography was treated not merely as content, but as a space of negotiation: overlapping letters, mirrored forms, and subtle erasures reflected the tensions, alliances, and silences that define diplomatic dialogue. The word DIPLOMACY itself became the central visual metaphor—fragmented and reassembled to express entanglement..
